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Video Conversion

Convert MTS to MOV — Free Online Converter

Convert AVCHD Video (.mts) to QuickTime Movie (.mov) online for free. Fast, secure video conversion with no watermarks or registration....

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변환 방법

1

Upload your .mts file by dragging it into the upload area or clicking to browse.

2

Choose your output settings. The default settings work great for most files.

3

Click Convert and download your .mov file when it's ready.

About MTS to MOV Conversion

MOV (QuickTime Movie) is Apple's professional video container, supporting ProRes, timecode tracks, multiple video angles, and edit decision lists. MTS/AVCHD files use MPEG-2 Transport Stream — functional for camera storage but poorly suited for professional post-production. Converting MTS to MOV brings camcorder footage into Apple's production ecosystem with proper container support for Final Cut Pro, Motion, and Compressor.

Why Convert MTS to MOV?

Final Cut Pro is the NLE of choice for many videographers who shoot on AVCHD camcorders. While Final Cut can import MTS files, the process involves a background transcode that adds import latency and can introduce audio sync issues. Starting with a native MOV file — especially one encoded in ProRes — gives Final Cut instant access to every frame with zero import overhead.

ProRes in MOV is the industry standard for broadcast post-production, color grading, and VFX compositing. It uses intra-frame-only compression (each frame is independent) which provides instant seeking, consistent decode performance, and excellent quality for multi-generation editing. Converting AVCHD camcorder footage to ProRes MOV is the standard first step in professional post-production workflows.

Common Use Cases

  • Importing AVCHD camcorder footage into Final Cut Pro for professional editing
  • Creating ProRes intermediates from camcorder recordings for color grading in DaVinci Resolve
  • Preparing camcorder footage for broadcast delivery (ProRes is the broadcast standard)
  • Building offline editing proxies from high-bitrate AVCHD recordings
  • Archiving camcorder footage in a professional-grade format with timecode support

How It Works

For ProRes encoding: `-vf yadif -c:v prores_ks -profile:v 2 -c:a pcm_s16le -ar 48000 -f mov`. ProRes profiles: 0=Proxy (~45 Mbps), 1=LT (~100 Mbps), 2=Standard (~145 Mbps), 3=HQ (~220 Mbps). For a simple re-wrap (keeping H.264): `-vf yadif -c:v libx264 -crf 18 -c:a pcm_s16le -f mov`. Deinterlacing with yadif or bwdif is essential for AVCHD 1080i content.

Quality & Performance

ProRes is visually lossless — its intra-frame compression preserves virtually all source detail while providing consistent per-frame quality that inter-frame codecs like H.264 cannot guarantee. Even ProRes Proxy outperforms AVCHD's H.264 in terms of editing performance, though it uses higher bitrates.

FFMPEG EngineModerateMinimal Quality Loss

Device Compatibility

DeviceMTSMOV
Windows PCPartialPartial
macOSPartialNative
iPhone/iPadPartialNative
AndroidPartialPartial
LinuxPartialPartial
Web BrowserNoNo

Recommended Settings by Platform

YouTube

Resolution: 1920x1080

Bitrate: 8-12 Mbps

H.264 recommended for fast processing

Instagram

Resolution: 1080x1080

Bitrate: 3.5 Mbps

Square or 9:16 for Reels

TikTok

Resolution: 1080x1920

Bitrate: 4 Mbps

9:16 vertical, under 60s ideal

Twitter/X

Resolution: 1280x720

Bitrate: 5 Mbps

Under 140s, 512MB max

WhatsApp

Resolution: 960x540

Bitrate: 2 Mbps

16MB limit for standard, 64MB for document

Discord

Resolution: 1280x720

Bitrate: 4 Mbps

8MB free, 50MB Nitro

Tips for Best Results

  • 1Use ProRes 422 for the best balance of quality and storage — it is the standard choice for most editing workflows
  • 2Pair ProRes video with uncompressed PCM audio (pcm_s16le) — never use lossy audio in editing intermediates
  • 3Deinterlace during conversion if editing on a progressive timeline — all modern NLEs display progressive
  • 4Include recording timestamps as timecode metadata for accurate multi-camera synchronization in post
  • 5Create ProRes Proxy for offline editing on laptops, then relink to ProRes 422 for final output — a standard dual-resolution workflow

Related Conversions

MTS to MOV conversion is the standard professional workflow for bringing AVCHD camcorder footage into Apple's production ecosystem, with ProRes encoding providing the gold standard for editing, grading, and broadcast delivery.

자주 묻는 질문

ProRes 422 (profile 2) for standard editing. ProRes 422 HQ (profile 3) for color grading and VFX. ProRes Proxy (profile 0) for offline editing with limited storage. ProRes LT (profile 1) balances quality and size.
Substantially. A 30-minute AVCHD clip at 24 Mbps (~5.4 GB) becomes roughly 25 GB as ProRes 422, or 7-8 GB as ProRes Proxy. This is the trade-off for instant seeking and consistent editing performance.
AVCHD MTS files contain recording timestamps that FFmpeg can map to MOV's timecode track. This preserves the chronological relationship between clips for timeline assembly.
Yes. Resolve handles ProRes in MOV on both macOS and Windows. It is one of Resolve's most-tested format combinations and provides excellent timeline performance.
Yes, for NLE editing on progressive displays. Some editors prefer to deinterlace during the edit rather than during ingest — in that case, encode to ProRes without deinterlacing and apply it later in the NLE.
Final Cut can import MTS but performs a background transcode. Creating a ProRes MOV in advance gives you instant access to all frames, eliminates import lag, and ensures consistent performance throughout the edit.

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