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Hur man konverterar

Upload your .mts file by dragging it into the upload area or clicking to browse.

Choose your output settings. The default settings work great for most files.

Click Convert and download your .mov file when it's ready.

Om konvertering från MTS till MOV

MOV (QuickTime Movie) is Apple's professional video container, supporting ProRes, timecode tracks, multiple video angles, and edit decision lists. MTS/AVCHD files use MPEG-2 Transport Stream — functional for camera storage but poorly suited for professional post-production. Converting MTS to MOV brings camcorder footage into Apple's production ecosystem with proper container support for Final Cut Pro, Motion, and Compressor.

Varför konvertera MTS till MOV?

Final Cut Pro is the NLE of choice for many videographers who shoot on AVCHD camcorders. While Final Cut can import MTS files, the process involves a background transcode that adds import latency and can introduce audio sync issues. Starting with a native MOV file — especially one encoded in ProRes — gives Final Cut instant access to every frame with zero import overhead.

ProRes in MOV is the industry standard for broadcast post-production, color grading, and VFX compositing. It uses intra-frame-only compression (each frame is independent) which provides instant seeking, consistent decode performance, and excellent quality for multi-generation editing. Converting AVCHD camcorder footage to ProRes MOV is the standard first step in professional post-production workflows.

Vanliga användningsområden

Importing AVCHD camcorder footage into Final Cut Pro for professional editing
Creating ProRes intermediates from camcorder recordings for color grading in DaVinci Resolve
Preparing camcorder footage for broadcast delivery (ProRes is the broadcast standard)
Building offline editing proxies from high-bitrate AVCHD recordings
Archiving camcorder footage in a professional-grade format with timecode support

Så fungerar det

For ProRes encoding: `-vf yadif -c:v prores_ks -profile:v 2 -c:a pcm_s16le -ar 48000 -f mov`. ProRes profiles: 0=Proxy (~45 Mbps), 1=LT (~100 Mbps), 2=Standard (~145 Mbps), 3=HQ (~220 Mbps). For a simple re-wrap (keeping H.264): `-vf yadif -c:v libx264 -crf 18 -c:a pcm_s16le -f mov`. Deinterlacing with yadif or bwdif is essential for AVCHD 1080i content.

Kvalitet & prestanda

ProRes is visually lossless — its intra-frame compression preserves virtually all source detail while providing consistent per-frame quality that inter-frame codecs like H.264 cannot guarantee. Even ProRes Proxy outperforms AVCHD's H.264 in terms of editing performance, though it uses higher bitrates.

FFMPEG EngineModerateMinimal Quality Loss

Enhetskompatibilitet

Device	MTS	MOV
Windows PC	Partial	Partial
macOS	Partial	Native
iPhone/iPad	Partial	Native
Android	Partial	Partial
Linux	Partial	Partial
Web Browser	No

Rekommenderade inställningar per plattform

YouTube

Resolution: 1920x1080

Bitrate: 8-12 Mbps

H.264 recommended for fast processing

Instagram

Resolution: 1080x1080

Bitrate: 3.5 Mbps

Square or 9:16 for Reels

TikTok

Resolution: 1080x1920

Bitrate: 4 Mbps

9:16 vertical, under 60s ideal

Twitter/X

Resolution: 1280x720

Bitrate: 5 Mbps

Under 140s, 512MB max

Resolution: 960x540

Bitrate: 2 Mbps

16MB limit for standard, 64MB for document

Discord

Resolution: 1280x720

Bitrate: 4 Mbps

Tips för bästa resultat

1Use ProRes 422 for the best balance of quality and storage — it is the standard choice for most editing workflows
2Pair ProRes video with uncompressed PCM audio (pcm_s16le) — never use lossy audio in editing intermediates
3Deinterlace during conversion if editing on a progressive timeline — all modern NLEs display progressive
4Include recording timestamps as timecode metadata for accurate multi-camera synchronization in post
5Create ProRes Proxy for offline editing on laptops, then relink to ProRes 422 for final output — a standard dual-resolution workflow

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MTS to MOV conversion is the standard professional workflow for bringing AVCHD camcorder footage into Apple's production ecosystem, with ProRes encoding providing the gold standard for editing, grading, and broadcast delivery.

Vanliga fragor

ProRes 422 (profile 2) for standard editing. ProRes 422 HQ (profile 3) for color grading and VFX. ProRes Proxy (profile 0) for offline editing with limited storage. ProRes LT (profile 1) balances quality and size.

Substantially. A 30-minute AVCHD clip at 24 Mbps (~5.4 GB) becomes roughly 25 GB as ProRes 422, or 7-8 GB as ProRes Proxy. This is the trade-off for instant seeking and consistent editing performance.

AVCHD MTS files contain recording timestamps that FFmpeg can map to MOV's timecode track. This preserves the chronological relationship between clips for timeline assembly.

Yes. Resolve handles ProRes in MOV on both macOS and Windows. It is one of Resolve's most-tested format combinations and provides excellent timeline performance.

Yes, for NLE editing on progressive displays. Some editors prefer to deinterlace during the edit rather than during ingest — in that case, encode to ProRes without deinterlacing and apply it later in the NLE.

Final Cut can import MTS but performs a background transcode. Creating a ProRes MOV in advance gives you instant access to all frames, eliminates import lag, and ensures consistent performance throughout the edit.

Relaterade konverteringar & verktyg

Konvertera även MTS till

MTS to MP4→MTS to AAC→MTS to AVI→MTS to FLAC→MTS to WAV→MTS to WebM→

Konvertera även till MOV

MP4 to MOV→AAC to MOV→AVI to MOV→

Funktion	MTS	MOV
Fullstandigt namn	AVCHD Video	Apple QuickTime Movie
Filandelse	.mts	.mov
Bast for	HD camcorders	High quality

Convert MTS to MOV — Free Online Converter