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Audio Conversion

Convert MIDI to MOV — Free Online Converter

Convert Standard MIDI File (.midi) to QuickTime Movie (.mov) online for free. Fast, secure audio conversion with no watermarks or registration....

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How to Convert

1

Upload your .midi file by dragging it into the upload area or clicking to browse.

2

Choose your output settings. The default settings work great for most files.

3

Click Convert and download your .mov file when it's ready.

About MIDI to MOV Conversion

MIDI (.midi) serves as the underlying data format for virtually every digital music creation tool on the market — from professional DAWs like Logic Pro and Ableton Live to free notation software like MuseScore. When a composer writes music in any of these tools, the internal representation closely follows MIDI event structures even when the software uses proprietary project formats. Exporting as .midi creates a universally portable snapshot of the composition.

MOV is Apple's QuickTime multimedia container, the native video format for all Apple production software. Converting MIDI to MOV renders the composition through software synthesis and packages the audio in a QuickTime container, creating content that integrates natively with Final Cut Pro, iMovie, Keynote, and the entire Apple creative suite without any compatibility friction.

Why Convert MIDI to MOV?

Video producers working in Final Cut Pro frequently need background music, soundtrack beds, or transition stingers for their projects. Composing these elements as MIDI provides maximum creative flexibility — changing tempo, key, or instrumentation takes seconds. Converting the final MIDI to MOV creates a timeline-ready audio asset that drops directly into the Final Cut Pro project without format conversion or re-linking.

Keynote presenters creating professional presentations with custom music can convert MIDI compositions to MOV for seamless integration. Keynote handles MOV natively with precise timing control, allowing presenters to synchronize music with slide transitions and animations — something that would be impossible with raw MIDI files, which Keynote cannot play.

Common Use Cases

  • Creating Final Cut Pro timeline-ready soundtrack beds from MIDI compositions in MOV format
  • Producing custom Keynote presentation music from MIDI with precise slide synchronization
  • Rendering MIDI-composed iMovie background music as MOV for direct project integration
  • Building Apple Motion template audio elements from MIDI compositions in native MOV format
  • Converting MIDI-composed audio branding (sonic logos, jingles) to MOV for Apple ecosystem deployment

How It Works

FFmpeg parses the .midi file and synthesizes audio through the SoundFont engine, producing stereo PCM. The audio is encoded as AAC-LC (QuickTime's standard audio codec) or ALAC (for lossless preservation) and packaged in a MOV container. The MOV uses Apple's QuickTime atom structure: ftyp (file type 'qt '), moov (movie atom containing mvhd, trak with mdia, minf, stbl sample tables), and mdat (media data). The edit list (elst) atom is populated to support gapless playback, and the udta atom stores metadata (title, artist, copyright) in Apple's proprietary iTunSMPB format.

Quality & Performance

MOV is a transparent container — audio quality depends on the codec within. AAC at 256 kbps provides transparent quality matching Apple's distribution standards. ALAC provides bit-perfect lossless preservation. For video production workflows, the SoundFont choice should consider the video's mood and style: corporate videos need clean, professional instrument sounds; indie films benefit from character-rich, slightly imperfect renderings; children's content requires bright, cheerful timbres.

FFMPEG EngineFastMinimal Quality Loss

Device Compatibility

DeviceMIDIMOV
Windows PCPartialPartial
macOSPartialNative
iPhone/iPadPartialNative
AndroidPartialPartial
LinuxPartialPartial
Web BrowserNoNo

Recommended Settings by Platform

Spotify

Resolution: N/A

Bitrate: 320 kbps

OGG Vorbis preferred

Apple Music

Resolution: N/A

Bitrate: 256 kbps

AAC format required

SoundCloud

Resolution: N/A

Bitrate: 128 kbps

Lossless FLAC/WAV for best quality

Podcast

Resolution: N/A

Bitrate: 128 kbps

MP3 mono for spoken word

Tips for Best Results

  • 1Render at 48 kHz sample rate to match video production standards — avoids sample rate conversion artifacts in Final Cut Pro
  • 2Use AAC at 256 kbps for delivery-ready MOV files and ALAC for production masters that will be further processed
  • 3Choose a SoundFont that matches the video project's mood — corporate, cinematic, playful, or ambient
  • 4Add metadata (title, composer, copyright) to the MOV's udta atom for organized asset management in NLE timelines
  • 5Trim leading and trailing silence from the MOV to enable precise timeline placement without manual trimming in the editor

MIDI to MOV is the direct pipeline from music composition to Apple's creative production ecosystem. The format integrates seamlessly with every Apple creative tool from Final Cut Pro to Keynote.

Frequently Asked Questions

Yes. Final Cut Pro imports audio-only MOV files as audio clips on the timeline. They appear with a waveform display and can be edited, trimmed, and mixed like any other audio.
AAC at 256 kbps for delivery-ready projects (smaller file, transparent quality). ALAC for projects that will undergo further audio processing, mixing, or mastering where lossless source material is preferred.
Yes. In Keynote, use Format > Audio to set a MOV audio file as the presentation soundtrack. It plays across slides with options for looping and volume control.
The MIDI tempo is used during synthesis to determine playback speed. The resulting MOV audio reflects whatever tempo the MIDI specified, but the tempo value itself is not stored as MOV metadata.
Yes. Concatenate the MIDI files in a MIDI editor first, or render each MIDI file separately and use FFmpeg to concatenate the audio streams into a single MOV.

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