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Audio Conversion

Convert MID to WAV — Free Online Converter

Convert Standard MIDI (.mid) to Waveform Audio (.wav) online for free. Fast, secure audio conversion with no watermarks or registration....

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How to Convert

1

Upload your .mid file by dragging it into the upload area or clicking to browse.

2

Choose your output settings. The default settings work great for most files.

3

Click Convert and download your .wav file when it's ready.

About MID to WAV Conversion

MID (Standard MIDI File) stores musical performance as data — note events, velocities, timing, instrument assignments, pitch bends, and controller messages — in a compact binary format from 1983. MIDI is not audio; it is a set of instructions that a synthesizer interprets to produce sound. Files are typically 10-100 KB because they encode performance data, not sound waves.

WAV (Waveform Audio File Format) stores uncompressed PCM audio — raw digital samples at full resolution with no compression or data loss. Converting MID to WAV renders the MIDI performance through a software synthesizer and captures the complete audio output as uncompressed PCM. This produces the purest possible capture of the synthesis, preserving every sample for professional use.

Why Convert MID to WAV?

WAV is the universal uncompressed audio format accepted by every DAW, audio editor, video editor, and professional tool. Rendering MIDI to WAV provides a master-quality audio file suitable for mixing, mastering, further processing, or archival. No audio data is compressed or discarded.

WAV is also the safest choice when you do not know the final delivery format. Starting with a WAV render, you can later encode to any lossy or lossless format (MP3, AAC, FLAC, OGG) without accumulating generation loss. WAV serves as the intermediate master from which all other formats are derived.

Common Use Cases

  • Rendering MIDI compositions as uncompressed WAV for mixing and mastering in any DAW
  • Creating master audio files from MIDI arrangements for professional sound engineering
  • Producing WAV stems from individual MIDI tracks for multi-track studio sessions
  • Archiving MIDI renders as uncompressed audio for maximum preservation fidelity
  • Generating sample library entries from synthesized MIDI instrument patches as WAV files

How It Works

FFmpeg parses the MIDI file's SMF structure — header chunk with format type (0/1/2), time division (PPQN or SMPTE), and track chunks with delta-time-stamped events. Events are dispatched to a software synthesizer that loads SoundFont instrument patches and renders note-on triggers with velocity-scaled amplitude through ADSR envelopes, processes real-time controllers (volume, pan, expression, sustain, modulation), and mixes all 16 MIDI channels to stereo PCM at the target sample rate. The raw PCM is written into a RIFF WAV container with fmt and data chunks.

Quality & Performance

WAV stores uncompressed PCM — the encoding introduces zero quality loss. Every detail of the synthesis output is preserved exactly as rendered. The quality equation depends entirely on the SoundFont and synthesizer. A 1 GB concert-grand piano SoundFont produces dramatically different results than a 50 MB general-purpose GM bank. WAV captures whichever result the synthesizer produces, including both its strengths and weaknesses, with perfect fidelity.

FFMPEG EngineFastLossless

Device Compatibility

DeviceMIDWAV
Windows PCPartialNative
macOSPartialPartial
iPhone/iPadPartialPartial
AndroidPartialPartial
LinuxPartialPartial
Web BrowserNoNative

Recommended Settings by Platform

Spotify

Resolution: N/A

Bitrate: 320 kbps

OGG Vorbis preferred

Apple Music

Resolution: N/A

Bitrate: 256 kbps

AAC format required

SoundCloud

Resolution: N/A

Bitrate: 128 kbps

Lossless FLAC/WAV for best quality

Podcast

Resolution: N/A

Bitrate: 128 kbps

MP3 mono for spoken word

Tips for Best Results

  • 1Render at 24-bit 48 kHz for production work — this provides maximum headroom for subsequent mixing and mastering
  • 2Use 16-bit 44.1 kHz for final delivery or distribution to save space without audible quality loss on synthesized content
  • 3Normalize the WAV output to -3 dBFS to leave headroom for downstream processing
  • 4Consider FLAC instead of WAV for archival — identical audio quality at 50-60% of the file size
  • 5Preview the synthesis result with a short MIDI file before rendering long compositions to verify SoundFont quality

MID to WAV is the foundational conversion for MIDI rendering — uncompressed, universal, and ready for any downstream processing. The SoundFont is your quality lever; WAV preserves it perfectly.

Frequently Asked Questions

WAV is uncompressed PCM, which is the maximum quality any digital audio can have at a given sample rate and bit depth. FLAC and ALAC achieve identical audio quality with smaller file sizes through lossless compression.
Stereo 16-bit 44.1 kHz WAV uses approximately 10.1 MB per minute. A 4-minute MIDI composition renders to about 40 MB as WAV. 24-bit at 48 kHz uses approximately 16.6 MB per minute.
Use 24-bit if the WAV will undergo further processing (mixing, mastering, EQ) — the extra dynamic range provides headroom. Use 16-bit for final delivery or when file size matters.
WAV supports basic metadata via RIFF INFO chunks and BWF (Broadcast Wave Format) extension. MIDI track names and text events can be mapped to WAV metadata fields.
Not in a single FFmpeg pass from MIDI. Use a DAW to solo individual MIDI channels and export each separately, or use a MIDI-aware synthesizer with multi-output routing.

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