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Audio Conversion

Convert MID to AAC — Free Online Converter

Convert Standard MIDI (.mid) to Advanced Audio Coding (.aac) online for free. Fast, secure audio conversion with no watermarks or registration....

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How to Convert

1

Upload your .mid file by dragging it into the upload area or clicking to browse.

2

Choose your output settings. The default settings work great for most files.

3

Click Convert and download your .aac file when it's ready.

About MID to AAC Conversion

MID (Standard MIDI File) stores musical performance data — note events, timing, velocity, channel assignments, and controller messages — in a compact binary format typically under 100 KB. Created by the MIDI Manufacturers Association in 1983, MIDI is the universal language for electronic music communication. It contains no audio; playback depends on an external synthesizer to produce sound.

AAC (Advanced Audio Coding) is the dominant lossy audio codec used by Apple Music, YouTube, Spotify, and virtually every streaming platform. Converting MID to AAC renders the MIDI performance through a software synthesizer to produce an audio waveform, then encodes that waveform as AAC. The result is a universally playable audio file derived entirely from MIDI instructions.

Why Convert MID to AAC?

MIDI files are not audio — they are sheet music for computers. Every device and synthesizer renders MIDI differently, producing inconsistent playback experiences. Converting to AAC creates a definitive rendered version that sounds identical everywhere, from iPhones to web browsers to car stereos.

AAC is the standard codec for Apple's ecosystem and the web. Publishing MIDI compositions as AAC enables streaming, embedding in web pages, uploading to music platforms, and sharing through any messaging app. The recipient hears exactly what you intended, regardless of their device's MIDI capabilities.

Common Use Cases

  • Publishing MIDI compositions as streamable audio on music platforms
  • Creating definitive audio renders of MIDI arrangements for portfolio showcases
  • Converting MIDI backing tracks to AAC for live performance playback
  • Preparing MIDI musical scores as audio previews for clients or collaborators
  • Archiving MIDI compositions as rendered audio for long-term preservation alongside the MIDI source

How It Works

FFmpeg's MIDI decoder reads the SMF (Standard MIDI File) header to determine format type (0, 1, or 2), tempo map, and time division. A software synthesizer (FluidSynth or similar) loads a SoundFont bank and processes each MIDI event — note-on triggers sample playback with velocity-scaled amplitude, note-off releases with ADSR envelope, program changes switch instrument patches, and control changes adjust volume, pan, expression, and effects. The resulting PCM audio stream is encoded to AAC-LC using the native FFmpeg AAC encoder or libfdk_aac at the specified bitrate, then wrapped in an M4A (MPEG-4 Audio) container.

Quality & Performance

Audio quality hinges on the SoundFont and synthesizer, not the AAC encoding. A professional SoundFont with multi-sampled instruments at multiple velocity layers produces near-realistic results. The built-in General MIDI bank sounds recognizably synthetic. At 256 kbps AAC-LC, the encoding itself is transparent — the bottleneck is always the synthesis quality. Using libfdk_aac provides marginally better encoding quality than FFmpeg's native AAC encoder at equivalent bitrates.

FFMPEG EngineFastMinimal Quality Loss

Device Compatibility

DeviceMIDAAC
Windows PCPartialPartial
macOSPartialNative
iPhone/iPadPartialNative
AndroidPartialPartial
LinuxPartialPartial
Web BrowserNoNo

Recommended Settings by Platform

Spotify

Resolution: N/A

Bitrate: 320 kbps

OGG Vorbis preferred

Apple Music

Resolution: N/A

Bitrate: 256 kbps

AAC format required

SoundCloud

Resolution: N/A

Bitrate: 128 kbps

Lossless FLAC/WAV for best quality

Podcast

Resolution: N/A

Bitrate: 128 kbps

MP3 mono for spoken word

Tips for Best Results

  • 1Use 192-256 kbps AAC-LC for optimal quality-to-size ratio on synthesized MIDI audio
  • 2Load a high-quality SoundFont (FluidR3_GM, MuseScore_General, or SGM) before converting for more realistic instrument sounds
  • 3If your MIDI uses non-standard program numbers, verify the SoundFont has matching patches to avoid silent or wrong instruments
  • 4Consider exporting from a DAW with premium virtual instruments instead of MIDI-to-AAC conversion for professional-quality results
  • 5Test the rendered output with headphones — synthesized MIDI can reveal artifacts (clicks, abrupt note releases) that speakers mask

MID to AAC transforms abstract musical notation into a universally playable audio file. The quality ceiling is set by your SoundFont, not by the AAC encoder — choose your synthesis library carefully.

Frequently Asked Questions

Not necessarily. Your DAW uses its own synthesizer and sound libraries. The conversion uses FFmpeg's synthesizer with a SoundFont, which may sound different. For an exact match, export audio directly from your DAW instead.
192-256 kbps AAC-LC is sufficient for most synthesized MIDI content. The synthesized audio is simpler than recorded music, so lower bitrates work well. Going above 256 kbps wastes space with no audible improvement on synthesized material.
Not in a single conversion step. MIDI tracks are mixed together during synthesis. To isolate tracks, use a DAW to solo individual MIDI channels and export each separately.
The default General MIDI SoundFont uses basic instrument samples. For more expressive rendering, use a high-quality SoundFont with velocity layers, round-robin samples, and sustained articulations.
Yes. AAC achieves better sound quality than MP3 at the same bitrate, especially below 192 kbps. AAC also handles the sharp transients and clean tones typical of synthesized MIDI more faithfully.

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