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Audio Conversion

Convert MID to MOV — Free Online Converter

Convert Standard MIDI (.mid) to QuickTime Movie (.mov) online for free. Fast, secure audio conversion with no watermarks or registration....

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How to Convert

1

Upload your .mid file by dragging it into the upload area or clicking to browse.

2

Choose your output settings. The default settings work great for most files.

3

Click Convert and download your .mov file when it's ready.

About MID to MOV Conversion

MID (Standard MIDI File) stores musical performance instructions — note events, velocity, timing, instrument assignments, controller data — in a binary format established by the MIDI Manufacturers Association in 1983. MIDI files contain zero audio data; they require a synthesizer to produce sound. Typical file sizes are 10-100 KB.

MOV is Apple's QuickTime multimedia container, widely used in macOS and iOS video production. Converting MID to MOV renders the MIDI performance through a software synthesizer and wraps the resulting audio in a QuickTime container. The output is an audio-only MOV file compatible with Apple's professional video editing tools — Final Cut Pro, Motion, and iMovie.

Why Convert MID to MOV?

Apple's professional video editing ecosystem (Final Cut Pro, iMovie, Compressor) natively handles MOV files. When building video projects on macOS, importing MIDI-rendered audio as MOV integrates seamlessly with the timeline, effects, and export pipeline without format conversion within the NLE.

MOV is also the native container for iPhone and iPad video recordings. Rendering MIDI audio into MOV enables it to be used as a soundtrack alongside device-captured video within Apple's Photos and editing applications.

Common Use Cases

  • Importing MIDI-rendered audio into Final Cut Pro video timelines as native MOV
  • Creating audio-only MOV files from MIDI for Apple Keynote presentations
  • Preparing MIDI soundtrack renders for iMovie projects on macOS and iOS
  • Providing MIDI composition previews as MOV files for Apple-ecosystem collaborators
  • Building audio beds from MIDI for Apple Motion template projects

How It Works

FFmpeg decodes the MIDI file and synthesizes audio using its built-in decoder with a SoundFont-based synthesizer. The PCM output is encoded using AAC-LC (the standard QuickTime audio codec) or ALAC for lossless preservation. The encoded stream is packaged in a MOV container with proper QuickTime atom structure (ftyp set to 'qt ', moov with track and media atoms, mdat with encoded audio). MOV and MP4 share the ISO Base Media File Format lineage, but MOV supports Apple-specific extensions.

Quality & Performance

MOV is a container that does not affect audio quality beyond the chosen codec. AAC at 256 kbps in MOV delivers transparent quality for synthesized content. ALAC in MOV provides lossless preservation. The SoundFont quality remains the primary factor — a professional SoundFont with expressive articulations produces natural-sounding audio; the default GM bank sounds mechanical. MOV preserves whatever the synthesizer generates.

FFMPEG EngineFastMinimal Quality Loss

Device Compatibility

DeviceMIDMOV
Windows PCPartialPartial
macOSPartialNative
iPhone/iPadPartialNative
AndroidPartialPartial
LinuxPartialPartial
Web BrowserNoNo

Recommended Settings by Platform

Spotify

Resolution: N/A

Bitrate: 320 kbps

OGG Vorbis preferred

Apple Music

Resolution: N/A

Bitrate: 256 kbps

AAC format required

SoundCloud

Resolution: N/A

Bitrate: 128 kbps

Lossless FLAC/WAV for best quality

Podcast

Resolution: N/A

Bitrate: 128 kbps

MP3 mono for spoken word

Tips for Best Results

  • 1Use AAC at 256 kbps for MOV files destined for Final Cut Pro — this is the standard Apple production audio codec
  • 2Choose ALAC encoding if the MOV will be further processed or remixed after import into a video editor
  • 3Render at 48 kHz to match video production standards — avoids sample rate conversion in the NLE
  • 4Consider M4A instead of MOV unless you specifically need the QuickTime container for a video workflow
  • 5Embed proper metadata (title, composer) in the MOV for organized project management in the NLE

MID to MOV bridges MIDI compositions into Apple's professional video editing ecosystem. The format is natural for macOS-centric workflows where rendered MIDI audio needs to integrate with video projects.

Frequently Asked Questions

Yes. Final Cut Pro natively imports MOV files with AAC or ALAC audio. The MIDI-rendered audio appears as an audio-only clip on the timeline.
Technically equivalent for audio. MOV is preferred in Apple-specific workflows; MP4 is more universally compatible. For audio-only content, M4A is actually the most appropriate choice.
No. MIDI has no visual component, so the MOV contains only an audio track. QuickTime Player shows a blank window during playback.
Windows 10+ has basic MOV support. VLC plays MOV on all platforms. Older Windows versions may require QuickTime or a codec pack.
48 kHz for video production workflows (broadcast standard), 44.1 kHz for music distribution. Final Cut Pro works natively with both.

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