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Convert Opus to AMR: Free Online Converter

Convert Opus Audio Codec to Adaptive Multi-Rate Audio online for free. Fast, secure audio conversion with no watermarks or registration.

131,490 files converted

Supports OPUS

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Conversion settings: add a file to adjust

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Format: HH:MM:SS (leave empty to keep until end)

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00s10

Gradually fade the audio out over the final seconds

Leave as-is for the encoder default (VBR where supported); pick a rate to force it.

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Settings for Opus to AMR

Engine
Media
Settings
Adjustable settings: 9
  • Trim Start
  • Trim End
  • Volume
  • Fade In
  • Fade Out
  • Bitrate
  • Audio Channels
  • Reverse Audio
  • Strip Metadata

How to Convert

1

Upload your .opus file by dragging it into the upload area or clicking to browse.

2

Choose your output settings. The default settings work great for most files.

3

Click Convert and download your .amr file when it's ready.

About Opus to AMR Conversion

AMR (Adaptive Multi-Rate) is the voice codec that powered billions of mobile phone calls during the 2G and 3G era. Developed by Ericsson and standardized by 3GPP, AMR-NB operates at 8 kHz with bitrates from 4.75 to 12.2 kbps, producing the characteristic "telephone voice" sound. Converting Opus, the state-of-the-art codec from Xiph.org that handles everything from 6 kbps narrowband to 510 kbps full-bandwidth stereo, to AMR sacrifices nearly all audio quality in exchange for compatibility with the oldest mobile telephony infrastructure.

This conversion makes sense only in specific telecommunications scenarios: feeding audio into IVR (Interactive Voice Response) systems, testing mobile network voice paths, or creating ringtones for ultra-basic feature phones. The output is tiny (under 100 KB per minute) but limited to telephone-grade 300-3400 Hz bandwidth.

Why Convert Opus to AMR?

AMR is the required input format for many telecom testing tools, IVR platforms, and voice quality assessment systems built for 2G/3G networks. If you have Opus recordings from modern VoIP systems and need to compare them against mobile network quality benchmarks, AMR is the standard reference format. Certain carrier-grade voice quality monitoring tools from Rohde & Schwarz, JDSU, and Spirent accept only raw AMR input.

Basic feature phones from manufacturers like Nokia, Samsung, and Itel still being sold in developing markets play AMR natively but lack codecs for Opus, MP3, or even AAC. For humanitarian organizations distributing audio content via basic phones, AMR is often the only viable format. The extremely small file sizes (under 100 KB per minute) also make AMR practical for distribution over 2G networks with severe bandwidth constraints.

Common Use Cases

  • Feed VoIP recordings into telecom voice quality testing equipment
  • Create test audio for IVR systems that only accept AMR input
  • Produce audio files for basic feature phones in developing markets
  • Generate minimal-size audio for distribution over 2G mobile networks
  • Compare Opus voice quality against AMR baselines for codec evaluation

How It Works

FFmpeg decodes the Opus stream (48 kHz, up to 510 kbps) and re-encodes using libopencore-amrnb at 8 kHz sample rate. The AMR-NB codec operates in discrete modes with bitrates of 4.75, 5.15, 5.9, 6.7, 7.4, 7.95, 10.2, or 12.2 kbps. The default is 12.2 kbps (Mode 7), which offers the best AMR-NB quality. All audio above 3.4 kHz is discarded during the sample rate conversion from 48 kHz to 8 kHz. The output uses the simple AMR file format with a #!AMR\n header.

Quality & Performance

Extreme quality reduction. Opus can encode full-bandwidth stereo audio at up to 510 kbps with a 48 kHz sample rate. AMR-NB is limited to 300-3400 Hz mono at 12.2 kbps maximum. Music becomes unrecognizable, environmental sounds disappear, and only clear speech remains intelligible. This is purely a compatibility-driven conversion.

Media EngineFastMinimal Quality Loss

Device Compatibility

DeviceOpusAMR
Windows PCPartialPartial
macOSPartialPartial
iPhone/iPadPartialPartial
AndroidPartialPartial
LinuxPartialPartial
Web BrowserNoNo

Recommended Settings by Platform

Spotify

Resolution: N/A

Bitrate: 320 kbps

OGG Vorbis preferred

Apple Music

Resolution: N/A

Bitrate: 256 kbps

AAC format required

SoundCloud

Resolution: N/A

Bitrate: 128 kbps

Lossless FLAC/WAV for best quality

Podcast

Resolution: N/A

Bitrate: 128 kbps

MP3 mono for spoken word

Tips for Best Results

  • 1Only convert to AMR when the target device or system specifically requires it
  • 2AMR files are among the smallest audio files possible — under 100 KB per minute
  • 3For better mobile compatibility, consider AAC or MP3 instead of AMR
  • 4The 12.2 kbps mode provides the best AMR-NB quality — avoid lower modes unless bandwidth is critical
  • 5Speech remains intelligible in AMR, but do not expect any music or ambient sound to survive

Related Conversions

Opus to AMR is a specialized conversion for telecom professionals, IVR systems, and feature phone distribution. The quality loss is severe but intentional — AMR exists for telephony compatibility, not audio fidelity. Use it only when the target system or device specifically requires AMR format.

Opus vs AMR

FeatureOpusAMR
Full NameOpus Audio CodecAdaptive Multi-Rate Audio
Extension.opus.amr
Best ForLow latencySpeech optimized

Frequently Asked Questions

Nearly all non-speech content is lost. AMR-NB captures only 300-3400 Hz at 12.2 kbps maximum, compared to Opus's full 20 Hz-20 kHz range at up to 510 kbps. Speech remains intelligible, but music and ambient audio are destroyed.
At 12.2 kbps (the highest AMR-NB mode), approximately 91.5 KB per minute. At the lowest mode (4.75 kbps), about 35.6 KB per minute. These are among the smallest audio files possible.
Android plays AMR natively. iPhones require third-party apps like VLC. For modern smartphone use, AAC or MP3 are far better choices.
AMR was optimized for real-time voice over 2G cellular networks with extremely limited bandwidth. It uses voice-specific compression techniques (CELP) that preserve speech intelligibility at bitrates where general-purpose codecs fail completely.
Yes, AMR-WB (Wideband) operates at 16 kHz with bitrates up to 23.85 kbps, extending bandwidth to 50-7000 Hz. It sounds noticeably clearer than AMR-NB, but still far below Opus quality.

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