Convert MOD to MOV — Free Online Converter
Convert Amiga Module (.mod) to QuickTime Movie (.mov) online for free. Fast, secure audio conversion with no watermarks or registration....
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Upload your .mod file by dragging it into the upload area or clicking to browse.
Choose your output settings. The default settings work great for most files.
Click Convert and download your .mov file when it's ready.
About MOD to MOV Conversion
MOD is the tracker music format born on the Commodore Amiga in 1987, where Karsten Obarski's Ultimate Soundtracker introduced the world to sample-based music sequencing. The format stores short digitized instrument samples (8-bit depth, variable sample rates) and pattern data that sequences these samples across 4 channels with per-note effect commands. The Amiga's custom Paula chip mixed these channels in hardware, producing the distinctive sound that defined an era of demos, games, and electronic music. MOD files were traded on BBSes, packed onto floppy disks, and performed at demoscene parties across Europe — a musical culture that existed entirely within the computer.
MOV is Apple's QuickTime container format, the foundation of Apple's multimedia architecture since 1991. Converting MOD to MOV produces an audio-only file within the QuickTime container — no video track is generated. This is primarily useful for Apple-centric workflows where MOV is the expected input format, such as Final Cut Pro timelines, Keynote presentations, or systems that specifically require QuickTime-compatible media files.
Why Convert MOD to MOV?
Final Cut Pro, Apple's professional video editing suite, works most naturally with MOV files. When building a retro gaming documentary, a demoscene tribute video, or any project that features tracker music, having the audio in MOV format eliminates import conversion steps and ensures native timeline compatibility. The audio drops directly onto the Final Cut Pro timeline with proper timestamp alignment and no intermediate processing.
Keynote presentations featuring retro computing history or electronic music evolution benefit from MOV audio integration. Rather than linking an external audio file that might not travel with the presentation, embedding MOV audio directly into a Keynote slide ensures the tracker music plays reliably during demonstrations. Apple's entire multimedia stack — from QuickTime Player to Safari's media handling — optimizes for the MOV container.
Common Use Cases
- Importing rendered tracker music directly into Final Cut Pro timelines without intermediate format conversion
- Embedding MOD audio in Keynote presentations about demoscene history or retro computing
- Preparing tracker music for QuickTime-based media workflows in professional Apple production environments
- Creating audio assets in Apple's native container for macOS Automator and Shortcuts media workflows
- Feeding rendered MOD audio to broadcasting equipment that accepts QuickTime/MOV input exclusively
How It Works
FFmpeg renders the MOD file through its module decoder, synthesizing pattern data and samples into stereo PCM audio. The rendered audio is encoded using a codec compatible with the QuickTime container — typically AAC-LC, ALAC, or PCM. The encoded stream is muxed into MOV's atom-based structure: an 'ftyp' atom declaring QuickTime compatibility, a 'moov' atom containing track descriptions (one audio track, no video), sample tables, and metadata, plus 'mdat' atoms holding the actual audio data. The QuickTime container adds Apple-specific metadata atoms (©nam, ©ART, ©alb) for rich tagging. Since no video track is present, the 'moov' atom contains only an audio track description with the appropriate codec four-character code (mp4a for AAC, alac for ALAC).
Quality & Performance
Audio quality within MOV is identical to the same codec in any other container — MOV is a transparent wrapper. AAC-LC at 128-256 kbps is transparent for MOD content, while ALAC provides bit-perfect lossless compression. Uncompressed PCM in MOV offers maximum quality at the cost of large file sizes. The rendering step remains the primary quality variable: how the MOD renderer interpolates samples, emulates the Amiga's analog filters, and handles stereo separation determines the character of the audio before it reaches any encoder.
Device Compatibility
| Device | MOD | MOV |
|---|---|---|
| Windows PC | Partial | Partial |
| macOS | Partial | Native |
| iPhone/iPad | Partial | Native |
| Android | Partial | Partial |
| Linux | Partial | Partial |
| Web Browser | No | No |
Recommended Settings by Platform
Spotify
Resolution: N/A
Bitrate: 320 kbps
OGG Vorbis preferred
Apple Music
Resolution: N/A
Bitrate: 256 kbps
AAC format required
SoundCloud
Resolution: N/A
Bitrate: 128 kbps
Lossless FLAC/WAV for best quality
Podcast
Resolution: N/A
Bitrate: 128 kbps
MP3 mono for spoken word
Tips for Best Results
- 1Use AAC-LC at 192 kbps for the best balance of quality, file size, and Apple ecosystem compatibility
- 2Choose ALAC within MOV if you need lossless quality for professional editing in Logic Pro or Final Cut Pro
- 3Set proper QuickTime metadata (title, artist) during conversion so the file displays correctly in Finder and Apple apps
- 4For presentation use in Keynote, keep the file under 50 MB to avoid performance issues with embedded media
- 5If the target workflow also accepts M4A, prefer M4A over MOV — it's the same container optimized for audio-only content
MOD to MOV packages rendered tracker music in Apple's native QuickTime container. The output is audio-only and integrates seamlessly with Final Cut Pro, Keynote, and the broader Apple multimedia ecosystem.